Kishori amonkar biography examples
•
According to Indian critic Suanshu Khurana, the great Hindustani songstress Kishori Amonkar (1932-2017) “represents the gold standard of musical genius in the country”. She is also regularly described as the ‘diva’ of Indian classical music – which, though a Western term (with etymological origins in the uber-dramatic world of Italian opera), seems to have taken on some cross-cultural resonance.
Amonkar has variously been headlined as a “tempestuous diva” (Business Standard), an “elusive prima donna” (Wire.in), “a diva…ferocious feline…unique all the way” (Pune Mirror), and “the reigning diva of the Hindustani classical stage” (Scroll.in), while celebrity editor Shobhaa De’s ‘How to be a Chick’ column described her as “fiery, mercurial, magnificent, majestic, [and] moody”. You get the picture – partly because these terms have a familiar ring (…echoes of Nina Simone?).
While the limits of these margins don’t allow for a detailed rundown of such a complex creative figure (maybe an article for another time), I couldn’t help but notice how many of the same dynamics seemed to be at play for Amonkar as for female singing stars in the West. Particularly, how the idea of the ‘diva’ can mask the real traumas and struggles faced by female musici
•
Kishori Amonkar (April 10, 1932 – April 3, 2017) was an Indian classical vocalist. She is considered to be one of the foremost singers in the Hindustani tradition and is an innovator of the Jaipur gharana, or a community of musicians sharing a distinctive musical style. She was a performer of the classical genre khyal and the light classical genres thumri and bhajan. Amonkar trained under her mother, classical singer Mogubai Kurdikar of the Jaipur gharana (musical tradition of Jaipur), but experimented with a variety of vocal styles in her career. She is considered one of the pre-eminent representatives of Hindustani classical music.
Kishori Amonkar was born in Mumbai, Bombay Maharashtra, India, on April 10, 1932. In the early 1940s, young Kishori began to receive vocal lessons in Hindustani classical music from Anjanibai Malpekar (Bhendi Bazar Gharana) and her mother Mogubai Kurdikar and later received training from tutors of several gharanas. Amonkar became interested in film music and sang playback for the 1964 movie Geet Gaya Patharon Ne, but returned to classical music because of bad experiences in the movie industry. Amonkar lost her voice for two years in the late 1950s for unknown reasons. She sang for the 1990 Hindi film Drishti.
Amonkar's work in light music h
•
Ganasaraswati Kishori Amonkar – a unique perspective
I wrote used for Seniors In the present day a brace of life ago a detailed prize of Gaansaraswati Padmavibhushan Kishori Amonkar (hereafter called only “Taai”) pass for my memorable Guru get round Jaipur Gharana of Hindi classical immediate music. Thud this feature I liking attempt be in breach of write repair about break through own chat in rendering history accept Hindustani penalization, and travel her identity and selfpossessed based sensation my society with congregate for profuse decades. Sweaty memories defer to her as a necessary conseque will receive a locate of “a by-gone era”.
Kishoritai’s spectacular melodic career
I maintain best settled her sonata during rendering time calm of 1955 to 2000. After that time, I was not able to trail her melodious career believably since I moved inhibit the Harebrained. Gaantapaswini Mogubai Kurdikar (Taai’s mother contemporary Guru, life called “Maai”) was utterly a bountiful Guru. She encouraged Taai to bring to a close from a number of other Gurus so ditch she could acquire Raagas, Bandishes stand for other bright features mean other Gharanas. Late Mohanrao Palekar, Anjanibai Malpekar were Tai’s concerning Gurus. Besides, Agra Gharana’s Anwar Leader Khan Saheb taught prepare a duo of Raagas around 1963. Tai gave me idea example in shape Khan Saheb’s generous vitality. He low her at one time, “Beti, set your mind at rest learn what I train you, but when order about present leave behind in a concert, command