Glyn johns biography of william hill

  • Glyn Johns has written a coherent, accessible autobiography that chronicles his remarkable life as an engineer and then producer during all of the major music.
  • The book includes a brief outline of Johns' youth as a jazz- and rock 'n' roll-obsessed boy growing up in the suburbs of London.
  • Andrew Loog Oldham was the first manager of the Rolling Stones, and perhaps the foremost British music mogul of the 60s, being responsible for.

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    Sound Man: A Life Recording Hits with The Rolling Stones, The Who, Led Zeppelin, The Eagles , Eric Clapton, The Faces . . .

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    Ebook350 pages4 hours

    By Glyn Johns

    Rating: 3.5 out of 5 stars

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    About this ebook

    A ROCK AND ROLL MEMOIR FROM GLYN JOHNS, THE LEGENDARY PRODUCER FEATURED IN THE NEW DOCUMENTARY SERIES The Beatles: Get Back

    “Few figures in rock history have a more impressive résumé than Glyn Johns...[Sound Man] is full of amazing anecdotes from his fifty-year career.”—Rolling Stone

    “A fantastic romp through the pages of rock and roll history.”—Sir Paul McCartney, the Beatles

    In 2012, legendary producer and sound engineer Glyn Johns was inducted into the Rock and Roll Hall of Fame. Over the course of his incredible career, Johns helped create some of rock’s most iconic albums, including those by the Beatles, the Rolling Stones, Eric Clapton, the Eagles, the Who, the Clash, and, more recently, Ryan Adams and Band of Horses. In this one-of-a-kind memoir, Johns shares incredible stories about the musicians he’s worked with from the freewheeling sixties to the present. Sound Man is an intimate glimpse into rock and roll

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    SOUND MAN

    A matter-of-fact memoir by the renowned record producer.

    Known for his work with the Rolling Stones, the Beatles, the Who, the Eagles, and Crosby, Stills and Nash, Johns seems like a modest guy with a strong work ethic, self-effacing to a fault. And he’s not much for gossip, which means most of the secrets and scandals from these tempestuous artists are not illuminated here. As he explains of the recording of the Beatles’ “Let It Be,” where fissures turned into large cracks, “[i]t is not my place to discuss any detail of what happened, but it is common knowledge that George [Harrison] left the band and was persuaded to return a couple of days later.” The author does acknowledge that Yoko Ono’s presence was a little intrusive, but that’s common knowledge as well. Readers looking for previously unrevealed dirt will be disappointed, as Johns isn’t looking to grind any axes or settle scores. His revelations mainly concern himself, such as the fact that “most find it incomprehensible to believe that I was completely straight and in fact have never taken drugs of any sort. Other than the odd aspirin.” Little wonder, then, that his favorite Rolling Stone was his one-time roommate Ian Stewart, the pianist who wasn’t deemed rock ’n’ roll enough by the band’s manager, and th

  • glyn johns biography of william hill