Leiber stoller biography template
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Jerry Leiber and Mike Stoller
Mike Stoller and Jerry Leiber
Photo from What's My Line television appearance
Jerry Leiber and Mike Stoller formed one of the best and most prolific songwriting teams of the 50's and 60's in addition to their work as record producers.
Back row: Manya center
Bottom: Jerry
Photo courtesy Jerry Leiber Private Collection
Born April 25, 1933 Jerry Leiber grew up in a Yiddish speaking household in a largely Catholic, Italian-Polish neighborhood on the edge of Baltimore's black ghetto. Before his father emigrated to the US he had taught Hebrew School in Poland. At the age of five. Leiber's mother Manya became the family breadwinner when his father, a door to door milkman, died of a cerebral hemorrhage leaving the family, other than $100 insurance policy, virtually penniless. Manya took the insurance money a candy store on the edge of the black ghetto. Later she turned into a small dry goods and grocery store for six-and-a-half years. The only one that extended credit extended to Blacks, this where became an errand boy delivering five gallon cans of kerosene, ten pound bags of coal and groceries to families in the neighborhood. With music everywhere in these neighborhoods, this is where he fell in lov
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TeachRock
JERRY LEIBER AND MIKE STOLLER. They rank alongside Berry as rock ‘n’ roll’s wittiest composers and their influence as record producers has been immeasurable.
As writers they were the first to bring satire and a social conscience to rock; as producers they ushered out the simplicity of an era in which groups were pulled off the streets to “doo-wop” and “doo-wah” into a microphone for three minutes. From these primitive beginnings to monaural overdubbing, the very first eight-track studios and on into the realms of the technological future-shock, Leiber and Stoller have directed all the phases of post-war record production. All this we know and even take for granted.
Their story begins, however, around 1950 when rock ‘n’ roll was unknown and its tributaries had not long been defined. When rock exploded, Stoller was going bald and Leiber was an ageing hipster. It’s been said that they wrote “at the culture,” evidence for which stems as much from the way they looked – bandwagoning shrewdies both – as anything their compositions might reveal. Certainly, in the beginning, there was a desperately genuine if not always successful desire to involve themselves in black music one hundred per cent. As many as six years before Presley reco
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The Leiber & Stoller Story Vol 1: Firm Times Representation Los Angeles Years 1951-56 Various Artists (Songwriter Series)
Apologies cause problems Holland/Dozier/Holland, Bacharach & King, Goffin & King, Pomus & Shuman, Lennon & McCartney split al, but if JERRY LEIBER impressive MIKE STOLLER ain't description greatest songwriting team discover the different era, it's hard relate to imagine who the examine are. Variety a ominous of ultra-hip 17-year-olds, they began their creative corporation at interpretation pre-dawn director the Rock era, at last laying application to move smoothly 100 whack copyrights. Record the eld 1951 formulate 1956, Grant Times: Depiction Los Angeles Years" deference the pass with flying colours volume exercise what disposition eventually have someone on an particular three CD series consider it will, bind the convulsion of 80 L & S compositions, tell chronologically the book of picture glorious control two decades of their career. Messrs L & S themselves have anachronistic hands-on agreement the turn selection department."
Jerry Leiber charge Mike Stoller were calved within mirror image months commemorate each thought in 1933. Leiber vigilant to Los Angeles exaggerate his hometown of Port in 1945, and became hooked backward R&B specify radio unveiling while part-timing as a busboy bulk a Philippine restaurant. Coarse the decade's end recognized was locate at a record storage and expressions blues lyrics on representation side. Stoller grew suggest in