Jerzy kosinski biography of william
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Jerzy Kosiński
Polish-American author (1933–1991)
"Joseph Novak" redirects field. For description inventor do admin concept elevations, see Patriarch D. Novak.
Jerzy Kosiński | |
|---|---|
Kosiński calculate 1969 | |
| Born | Józef Lewinkopf (1933-06-14)June 14, 1933 Łódź, Poland |
| Died | May 3, 1991(1991-05-03) (aged 57) New York Urban district, U.S. |
| Education | University method Łódź |
| Occupation | Novelist |
| Spouses | Mary Hayward Weir (m. 1962; div. 1966)Katherina "Kiki" von Fraunhofer (m. 1968) |
Jerzy Kosiński (Polish pronunciation:[ˈjɛʐɨkɔˈɕij̃skʲi]; born Józef Lewinkopf; June 14, 1933 – May 3, 1991) was a Polish-American litt‚rateur and two-time president publicize the Land Chapter nigh on P.E.N., who wrote particularly in Nation. Born unfailingly Poland, appease survived Terra War II in Polska as a Jewish fellow and, tempt a sour man, emigrated to rendering U.S., where he became a denizen.
He was known form various novels, among them Being There (1971)[1] person in charge the debatable The Motley Bird (1965), which were adapted similarly films impede 1979 extort 2019, respectively.[2]
Biography
[edit]Kosiński was hatched Józef Lewinkopf to Someone parents name Łódź, Polska, in 1933.[3] As a ch
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A controversial novelist, Jerzy Kosinski first stunned the literary world in 1965 with The Painted Bird--a graphic account of an abandoned child's odyssey through wartorn Eastern Europe--which some critics consider the best piece of literature to emerge from World War II. Kosinski's second novel, Steps, was equally successful and won a National Book Award in 1969. Other novels, all part of an elaborate fictional cycle, followed; though Kosinski labeled them fiction, his books parallel his real-life experiences, earning him the reputation of a writer who mingles art and life.
The only child of Jewish intellectuals, Kosinski enjoyed a sheltered childhood until he was six years old. Then Hitler invaded Poland, disrupting the young boy's family and irrevocably altering the shape of his life. As Jews, Kosinski's parents were forced into hiding, and eventually the child was entrusted to a stranger's care. Though he was soon placed with a foster mother, she died within two months of his arrival, and, until the end of the war when he was reunited with his parents, young Kosinski wandered from one remote peasant village to another, living by his wits. By the time he was nine, Kosinski had been so traumatized by his experience that he was struck mute. "Once I regained my speech af
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Books
As he spoke, he regretted the poverty of language and feeling that so casually dismissed gratitude and obliterated one’s true state of being with the soiled currency of “thank you” and the worn coinage of “fine.”
“You live nearby?” the young woman asked when he was settled in the barber chair.
“Across the street,” said Fabian.
“No kidding!” The girl was surprised. “Amazing how many people live right next to you in this city and you never know it.” She began to cut his hair, her vest shifting with her every move, disclosing the curve of her neck, the pockets under her arms, glimpses of her breasts. He watched her in the mirror; their eyes met casually, then passed on to something else.
The sight of her put Fabian’s sexual instinct on alert. He felt that he would pursue her in thought until, unable to dismiss her, but unwilling to contemplate her apart from that original impulse, he would enter again sexual foray.
Yet he was alert to the workings of his mind and, after a moment, regarded the first onslaught of feeling as a momentary languor of senses, a substitute for desire, not strong enough to propel him into the world, again in quest.
“What do you do?” she asked.