Chista yasrebi biography books
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The Contributors
"The Contributors". A Feast in the Mirror: Stories by Contemporary Iranian Women, edited by Mohammad Mehdi Khorrami and Shouleh Vatanabadi, Boulder, USA: Lynne Rienner Publishers, 2000, pp. 229-234. https://doi.org/10.1515/9781685857219-024
(2000). The Contributors. In M. Khorrami & S. Vatanabadi (Ed.), A Feast in the Mirror: Stories by Contemporary Iranian Women (pp. 229-234). Boulder, USA: Lynne Rienner Publishers. https://doi.org/10.1515/9781685857219-024
2000. The Contributors. In: Khorrami, M. and Vatanabadi, S. ed. A Feast in the Mirror: Stories by Contemporary Iranian Women. Boulder, USA: Lynne Rienner Publishers, pp. 229-234. https://doi.org/10.1515/9781685857219-024
"The Contributors" In A Feast in the Mirror: Stories by Contemporary Iranian Women edited by Mohammad Mehdi Khorrami and Shouleh Vatanabadi, 229-234. Boulder, USA: Lynne Rienner Publishers, 2000. https://doi.org/10.1515/9781685857219-024
The Contributors. In: Khorrami M, Vatanabadi S (ed.) A Feast in the Mirror: Stories by Contemporary Iranian Women. Boulder, USA: Lynne Rienner Publishers; 2000. p.229-234. https://doi.org/10.1515/9781685857219-024
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Maria Helena Serôdio[1]
On writing about the “28th Fadjr International Theatre Festival” that took place in Tehran (Iran) between the 22ndand 31st of January (2010), one should first point to the political relevance that is inherent in the name itself (the celebration of the “Victory” (Fadjr) of the Islamic Revolution in 1979). Equally significant, perhaps, is the fact that the festival seeks an international visibility for Iranian theatre by claiming (and making it possible) to be international at various levels. It is, therefore, natural that – for better or worse – its display and reception should blend both purposes and, therefore, arouse a certain discomfort among those who may be more critical of the present political situation in Iran; one of the most prominent (international) reactions was the withdrawal of a performance directed by Peter Brook, the monologue The Grand Inquisitor, based on Dostoyevsky’s The Brothers Karamazov, featuring Bruce Meyers.
It was, nevertheless, an important showcase for many theatre companies that could not only show their performance(s) live (if they had been selected for the festival), but also use the Arts Market (at the Vahdat Hall) to meet critics and audience members alike and offer DVDs and other material of their
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| Four Snapshots spend Sahar Short free spirit by "Chista Yasrebi", Persian writer Reprinted from: Global Business meeting of Untruth and Script Among Cultures, Farokh Negar Pub., Karnameh, Negar EskandarFar, 2004 |
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