Biography of loyset comperex
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Compère, Loyset
Renaissance composer of the Flemish school; b. Flanders(?), c. 1450 (christened Louis); d. Saint-Quentin, Aug. 16, 1518. He was a singer at the Milanese court in 1474–75, and became chantre ordinaire to Charles VIII of France (1486). As a priest he received prebends in Cambrai (1498) and Douai (1500), and a canonry at the collegiate church of Saint-Quentin, where he is buried. He was celebrated in the writings of Gafurius, Aaron, Cretin, Molinet, Rabelais, and others. His works include two Masses, individual Mass movements, three motetti missales cycles, twenty-three motets, five motet-chansons, forty-nine chansons, and two frottole (which are quoted in a quodlibet of L. Fogliano). The religious works exhibit Italian as well as Franco-Flemish traits: sonorous chords, canonic writing, and advanced parody technique. His chansons range from Burgundian types to the newer syllabic genre, with repeated notes and rapid declamation. Though not considered Josquin Desprez's equal, he represents an important link between the generations of Okeghem and Attaingnant.
Bibliography:Opera omnia, ed. l. finscher, Corpus Mensurablis musicae, ed. American Institute of Musicology (Rome 1958–) 15. l. finscher, "Loyset Compère and His Works," Musica
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Loyset Compère
Franco-Flemish Renaissance composer
For other uses, see Compere (disambiguation).
Loyset Compère (c. 1445 – 16 August 1518) was a Franco-Flemishcomposer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians to bring the light Italianate Renaissance style to France.
Life
[edit]His exact place of birth is not known, but documents of the time assign him to a family from the province of Artois (in modern France), and suggest he may have been born in Hainaut (in modern Belgium). At least one source from Milan indicates he described himself as coming from Arras, also in Artois. Both the date and probable place of birth are extremely close to those of Josquin des Prez; indeed the area around the current French-Belgian border produced an astonishing number of excellent composers in the 15th and 16th centuries, composers whose fame spread throughout Europe. Often these composers are known as the Franco-Flemish or Netherlandish School).
In the 1470s Compère worked as a singer in Milan at the chapel of Duke Galeazzo Maria Sforza, during the time that composers such as Johannes Martini and Gaspar van Weerbeke were also singing there